Abstract

Carlo Crivelli’s work is dispersed around the world, but significant examples remain in the Italian region of the Marche. This article analyses the benefit of a collaborative approach between Crivelli’s exhibitions in the Marche to propose strategies that would follow a place-based approach and increase the attractiveness of cities and villages where Crivelli’s artworks are displayed. The paper analyses two case studies presenting different approaches to the Crivelli’s art works: the Museum of St Francis displaying the Triptych of Montefiore dell’Aso, and the Church of St. Martin Bishop exhibiting the Polyptych of Monte San Martino in the original location.

How to Cite:

Castagna, B., (2021) “Carlo Crivelli: a strategy for the Marche rebirth”, Brief Encounters 1(5). doi: https://doi.org/10.24134/be.v5i1.250