DOI: https://doi.org/10.24134/be.v1i1

Published: 2017-02-24

Front Matter

Brief Encounters of the Academic Kind

- Emily Bartlett, Nicole Mennell
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Acknowledgements for the Inaugural Issue

- Emily Bartlett, Nicole Mennell
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Articles

Nightcore and the Virtues of Virtuality

- Emma Winston
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Beethoven and Byzantium: How does Film Music Help to Tell a Story?

- Barry Sanders
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‘I haue written here a prayer’: The Making of John Bradford’s Mother’s Prayer

- Louise Horton
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Comfort through ‘the lively Word of God’: Katherine Willoughby and the Protestant Funeral Monument

- Eva Lauenstein
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Empathising with Bog Bodies: Seamus Heaney and the Feminine Sublime

- Patrick Wright
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Post-foundational Ontology and the Charge of Social Weightlessness in Radical Democratic Theory: A Response to Lois McNay’s The Misguided Search for the Political

- Tom N. Henderson
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Michel Serres and the Literary Value of Folded Time: A Reading of Innovative Temporalities in Iain Sinclair’s White Chappell Scarlet Tracings and J. G. Ballard’s The Unlimited Dream Company

- Dylan Williams
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The Many Ways to Count the World: Counting Terms in Indigenous Languages and Cultures of Rondônia, Brazil

- Vera Da Silva Sinha, Wany Sampaio, Christopher Sinha
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From Modernism to Metro Maps: Mondrian, Beck, and Salomon

- Peter B. Lloyd
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Creative Encounters

A Peckham Pilgrimage: Looking for Lagos & Considering ‘Community’

- Beth Hunt
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Liminal Fiction: An Interdisciplinary Approach to Researching, Writing and Disseminating an Archival Novel about the Violent Past

- Penny Claire Simpson
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Reviews

Review of The Value of the Novel

- Katherine Kruger
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‘Very Much the Tortoise’: A Review of The Slow Philosophy of J. M. Coetzee

- Marc Farrant
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Review of The Adventures of Gillion de Trazegnies: Chivalry and Romance in the Medieval East

- Maggie Crosland
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Review of the Exhibition Undressed: A Brief History of Underwear

- Sabrina Roberta Villani
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