Review of Iain Borden, Skateboarding and the City: A Complete History (London and New York, NY: Bloomsbury, 2019)

Alexandros Daniilidis


This is a review of Iain Borden's latest publication on skateboarding and its attributes as a spatial practice.


Skateboarding; Urban Space; Social Sciences; Art; Graphic Design

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Borden, Iain, Skateboarding, Space and the City: Architecture and the Body (Oxford: Berg, 2001)

Carr, John, ‘Legal Geographies—Skating Around the Edges of the Law: Urban Skateboarding and the Role of Law in Determining Young People’s Place in the City’, Urban Geography, 31.7 (2010), 988–1003 <>

Chiu, Chihsin, ‘Contestation and Conformity: Street and Park Skateboarding in New York City Public Space’, Space and Culture, 12.1 (2009), 25–42 <>

Howell, Ocean, ‘The “Creative Class” and the Gentrifying City: Skateboarding in Philadelphia’s Love Park’, Journal of Architectural Education, 59.2 (2005), 32–42 <>

Mohd. Shahrudin Abd. Manan and Chris Smith, ‘Skateboarding with Roland Barthes: Architecture, Myth and Evidence’, Journal for Cultural Research, 18.3 (2014), 203–215 <>

Németh, Jeremy, ‘Conflict, Exclusion, Relocation: Skateboarding and Public Space’, Journal of Urban Design, 11.3 (2006), 297–318 <>

Taysom, Sophie and Simon Irvine, ‘Skateboarding, Disrupting the City’, Social Alternatives, 17.4 (1998), 23–26

White, Katherine Elisabeth, ‘“We out Here”: Skateboarding, Segregation and Resistance in the Bronx’ (unpublished MA dissertation, Fordham University, 2015)



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