Review of Dorothea Lange: Politics of Seeing

Jessica Lana Houlihan

Abstract


A review of the exhibition Dorothea Lange: The Politics of Seeing, 22 June- 2 September 2018, held at the Barbican Art Gallery, London. The exhibition is the first survey of Lange’s work to be displayed in the UK, and includes works from The Dorothea Lange Collection, the Oakland Museum of California.


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References


Bauret, Gabriel, ‘Testimony or Instrument of Propaganda: What is the Role of Photography?’, in The Bitter Years: The Farm Security Administration Photographs Through the Eyes of Edward Steicheni, ed. by Françoise Poos (London: Thames and Hudson, 2012), pp. 21-28

Gordon, Linda, Dorothea Lange: A Life Beyond Limits (New York: W. W. Norton and Company, 2009)

———, and Gary Y. Okhiro (eds.), Impounded: Dorothea Lange and the Censored Images of Japanese American Internment (New York: W. W. Norton and Company, 2006)

Meltzer, Milton, Dorothea Lange: A Photographer’s Life (New York: Syracuse University Press, 2000 [1978])

Americans for the Arts, ‘National Endowment for the Arts Update: Trump FY2018 Budget Proposal Calls for Elimination of NEA Funding’, https://www.americansforthearts.org/news-room/arts-mobilization-center/national-endowment-for-the-arts-update-trump-fy2018-budget-proposal-calls-for-elimination-of-nea <https://www.americansforthearts.org/news> [accessed 1 November 2018]

Under the Trees, dir. by Philip Greene, Robert Katz and Richard Moore (KQED Film, 1965), https://diva.sfsu.edu/collections/sfbatv/bundles/191509 <https://diva.sfsu.edu/collections/sfbatv/bundles/191509> [accessed 21 January 2019]




DOI: http://dx.doi.org/10.24134/be.v3i1.157

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